Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Alexander Roslin
friherrinnan de neubourg-cromiere

ID: 69409

Alexander Roslin friherrinnan de neubourg-cromiere
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Alexander Roslin friherrinnan de neubourg-cromiere


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Alexander Roslin

1718--93 Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter.   Related Paintings of Alexander Roslin :. | Portrait of Count Chernyshev | Portrait of the artist Marie Therese Reboul wife of Joseph-Marie Vien | Portrait of Count N.I Panin | ivan betskij | jean eric rehn |
Related Artists:
HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Antoine louis barye
French Romantic Sculptor and Painter, ca.1795-1875, He was a French sculptor most famous for his work as an animalier. Born in Paris, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. After studying under sculptor Francois-Joseph Bosio and painter Baron Antoine-Jean Gros he was in 1818 admitted to the Ecole des Beaux Arts. But it was not until 1823, while working for Fauconnier, the goldsmith, that he discovered his true predilection from watching the wild beasts in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modelling them in sculpture on a large or small scale. In 1831 he exhibited his "Tiger devouring a Crocodile", and in 1832 had mastered a style of his own in the "Lion and Snake." Thenceforward Barye, though engaged in a perpetual struggle with want, exhibited year after year these studies of animals--admirable groups which reveal him as inspired by a spirit of true romance and a feeling for the beauty of the antique, as in "Theseus and the Minotaur" (1847), "Lapitha and Centaur" (1848),
abstrakt akvarell
Akvarell är en målningsteknik där färgen läggs på i transparenta skikt på ett tjockt, lätt sugande papper. Papper av högsta kvalitet är syrafritt och framställt av bomullslump. Det kan variera kraftigt i olika vithetstoner och tjocklek. Ytans ytstruktur kallas gräng och finns av flera slag. Akvarellpapper levereras i block med limmade kanter runt om, så att papperet håller sig slätt, när det blir fuktigt av färgen. Lösa papper kan prepareras genom att fukta igenom det ordentligt med rent vatten och sen klistra/tejpa upp det på en styv skiva. När papperet torkat har inbyggda spänningar utjämnats, och det bubblar sig mindre, när akvarellfärgen läggs på. Akvarell målas ofta med en tjock pensel som kan hålla mycket vätska, samtidigt som den kan formas till en mycket fin spets. Den finaste kvaliteten görs av mårdhår eller sobelhår. Mycket smala linjer kan göras med hjälp av tunna spetsiga penslar eller dragstift, som egentligen är avsedda för för tuschritning. Gamla tiders stålpennor för bläck duger också för detta ändamål.






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